Place Gambetta |
Grosse Cloche |
South of place Gambetta is the Cathédrale St-André (MonSat 7.3011.30am & 26/6.30pm), whose most eye-catching feature is the great upward sweep of the twin steeples over the north transept, an effect heightened by the adjacent but separate bell tower, the fifteenth-century Tour Pey-Berland (JuneSept daily 10am6.30pm; OctMay TuesSun 10amnoon & 25pm; €3.81). The interior of the cathedral, begun in the twelfth century, is not particularly interesting, apart from the choir, which provides one of the few complete examples of the florid late Gothic style known as Rayonnant, and the north transept door and the Porte Royale to the right, which feature some fine carving.
The cream of Bordeaux's museums is to be found scattered in the streets around the cathedral. Directly behind the classical Hôtel de Ville, formerly Archbishop Rohan's palace, the Musée des Beaux-Arts (daily except Tues 11am6pm; €4) has a small but worthy selection of European fine art, featuring works by Reynolds, Titian, Rubens, Matisse and Marquet (a native of the city), as well as Delacroix's superb painting of La Grèce sur les ruines de Missolonghi. More engaging, however, is the Musée des Arts Décoratifs (Mon & WedFri 11am6pm, Sat & Sun 26pm; €4), two blocks north on rue Bouffard and housed in a handsome eighteenth-century house. The extensive collection includes some beautiful, mainly French, porcelain and faïence, period furniture, glass, miniatures, Barye animal sculptures and prints of the city in its maritime heyday.
Continuing to circle clockwise round the cathedral, you'll pass the Centre National Jean-Moulin (TuesFri 11am6pm, Sat & Sun 26pm; free), a moderately interesting museum dedicated to the local Resistance, before reaching the imaginatively laid-out Musée d'Aquitaine, on cours Pasteur (TuesSun 11am6pm; €4), one of the city's best museums. A stimulating variety of objects and types of display emphasizes regional ethnography and covers the three main facets of the region's development: maritime, commercial and agricultural. Drawings and writings of the period enable you to see why eighteenth-century Bordeaux was so extolled by contemporary writers, who compared it to Paris. It's also worth taking a look at the section on the wine trade before venturing off on a vineyard tour in the region. A couple of blocks east, rue St-James is straddled by a heavy Gothic tower, the fifteenth-century Grosse Cloche, originally part of the medieval town hall.
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